Lake Erie at Lakeside Chautauqua

Exhibition
May 29 -June 30, 2023

Reception and book signing
June 30, 2023
Train Station 5-7 p.m.

The beautifully rendered images contained in her Lake Erie exhibition reveal a sense of diverse communities, changing landscapes and deep histories of a place.

Film Screening
The Erie Situation

This award-winning documentary explores the confluence of science, public sentiment, politics and the powerful farming lobby as Ohio wrestles with how to confront the drivers of toxic algae in Lake Erie.

June 29, 2023
Orchestra Hall 3:30 p.m.

Talk back with Dr. Bullerjahn immediately following.

Cell phone Cahoon Memorial Park, Cleveland,, 2009

 
 

Ohio Boundary: Lake Erie

April 14–May 22, 2022

Lynn Whitney’s exhibition, April 14–May 22, 2022 at the Aurelia Gallery in Santa Fe, New Mexico included a selection of her current work exploring Ohio’s Lake Erie shoreline with scientific context provided by George Bullerjahn, Professor and Director NIEHS/NSF Great Lakes Center for Fresh Waters and Human Health Bowling Green State University.

Exhibition catalog is sold out.

https://www.dustcollective.net/indie/ohio-boundary-lake-erie-by-lynn-whitney

https://www.photoeye.com/bookstore/citation.cfm?catalog=ZK110&i=&i2=

Catalog Review: https://www.whatwillyouremember.com/book-review-watermelons-are-not-strawberries-sandra-bacchi-i-hope-you-find-what-you-are-looking-for-gloria-baker-feinstein-ohio-boundary-lake-erie-lynn-whitney/

Searching, Magee Marsh Beach, 2019

 
 

 
 
 

Cantilever, Glass City Veteran’s Memorial Skyway, Toledo, Ohio 2007

Midwest Photographer’s Project

Lynn Whitney’s photographs document the project to replace The Craig Memorial Bridge that is suspended over the Maumee River in Toledo, Ohio connecting Interstate 280. Captured with an eight by ten large-format camera, these black-and-white formal studies of this massive structure depict remnants of the old bridge as well as the new. Whitney’s photographs document not only the change that the bridge is undergoing, but also the transformation of the overall landscape. Her pictures comment on how the bridge’s magnitude and construction impose upon the landscape, workers, and residents of the surrounding area.


 
 
 

Face it: Reimagining Contemporary Portraits

Curated by Lynn Whitney, Andrew Hershberger & Jacqueline S. Nathan

 

BGSU Fine Arts Center, Bowling Green OH. Face It: Reimagining Contemporary Portraits, curated by Lynn Whitney, Andrew Hershberger & Jacqueline S. Nathan.

 
 
 

What goes into putting together an exhibition of portraiture? What makes a picture of another person resonate with meaning? A wide-ranging group show explores these questions.

Featuring photographers Elizabeth Bick, Barbara Bosworth, Elinor Carucci, Lois Connor, Jess T. Dugan, Anne Fishbein, Nancy Hellebrand, David Hilliard, Peter Hujar, Joe Johnson, Daniel McInnis, Andrea Modica, Matthew Montieth, Nicholas Nixon, Thomas Roma, Judith Joy Ross, Sage Sohier, Mike Smith, Mark Steinmetz, Alejandra Carles-Tolra, Jo Ann Walters. 2016.

 
 

Off the Radar: Mark Steinmetz on Nine Women Photographers of the Northeast

 

I would like to call attention to some remarkable photography made in the late 1970s and early 1980s by nine women in Massachusetts. Though not all of these women were aware of each other’s work at the time, they shared a love for the camera’s ability to describe the material complexity of the world and for the open grey tones of the black and white print. For the most part, they all championed the fluid use of a 4 x 5 view camera (even though this required a tripod) and they mixed flash in with daylight exposures so no deep shadows, no strong chiaroscuro, appeared in their prints. There are no large gestures or dramas here nor easy sentiment.

These artists tended to photograph their homes and their families as well as other private, largely middle-class spaces. Their interest in detailed realism and in the everyday reminds me of the ambitions of 17th-century Dutch masters; but theirs is an updated, unmistakably American realism, set in silver.

—Mark Steinmetz, Light Box, Time Magazine, 2014